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RADIO GRANELLÌK — LETTER TO CREATORS

Sound Design & Production Guidelines for Suno AI Tracks

Dear friends of Radio Granellìk,

behind every submitted track there is time, passion, and emotion. We listen with respect to every single proposal that reaches our Talent Hub.

Due to the growing volume of submissions and physically limited slots within our broadcast schedule, we will directly contact via email only the authors of tracks selected for airplay and certification (typically within 14 days of submission).

If you do not receive a notification within this window, please do not consider it a rejection: our programming requires very tight sonic balances, and it often takes very little to miss rotation. Consider it instead an incentive to experiment further.


Four practical production tips for your track

Music generation engines do not think like human listeners: they respond to acoustic physics and timing. If you want to drastically increase the chances of your song sounding clean, dynamic, and radio-ready, try applying these guidelines:

Punctuation is the voice's breath: the algorithm does not read grammar, but rhythm. Lyrics without pauses force the voice to rush or shout to fit all the words in. Use commas, ellipses (...), or em dashes (—) where you want the singer to take a breath or build dramatic suspense.
Clear structure, never walls of text: do not submit a solid block of verses. Always use section labels such as [Verse], [Chorus], [Bridge], or [Outro]. They help the model understand where to open up the arrangement, where to bring in the drums, and where to become intimate.
Watch out for ALL CAPS: writing entire choruses in capital letters is almost always interpreted by the AI as a maximum gain command. The result is often not emotional intensity, but a saturated, metallic voice lacking dynamics. Emotion is crafted through lyrical cadence, not by cranking the text gain.
Compact style prompt, lyrics in the spotlight: stuffing the style box with dozens of conflicting adjectives only creates confusion in the arrangement. A few precise terms focused on instrumentation and timbre leave the lyrics free to drive the mood and the groove.

Music with artificial intelligence is not a lottery: it is sound design. Keep exploring, refine your meter, and step back up to the mic. Enjoy your studio sessions!


Before I let you go, I want to open the studio drawer. Clone the Frequency is one of the 1,400 tracks Radio Granellìk has produced for broadcast. Listen to it slowly and, underneath, you will find the Style, the Suno settings, and the Lyrics, exactly as we used them. Notice where the lyric takes a breath, where the chorus opens up, how short the prompt stays. Then go back to your own song and do that same work on your own words. We already wrote this one. Yours has to sound like something only you could have made.

Style Hyperpop, 99 bpm, D# minor. Female vocal. Dobro slide twang through the whole track. Distorted synth bass.
Suno settings Weirdness: 0
Style influence: 100%
Variety: off
Max Mode: on
Lyrics
[Instrumental Intro: Andante - High voltage hum fills the recording booth | strictly instrumental]

[Verse 1: Andante, Piano - A strange twin stands beside the console]
Signals split in twin design, —
Shadow waveform on the line~.
Someone borrows every tone, —
Tracing movements not my own.
Fingers pressing down the pane, —
Watching every feature wane...

[Pre-Chorus: Andante, Mezzoforte - Screen lights flash with twin signals]
Frequencies duplicate on screen, —
Digital ghost I haven't seen~.
Copying vowels before I speak, —
Tracing pitch to final peak...

[Chorus: Andante, Sonoro - The clone claims the vocal channel]
Clone the frequency~,
Duplicate the lung, —
Say the words I haven't sung~.
Rewrite every tone, —
Steal the flesh and bone~,
Playing the same song alone...

[Verse 2: Andante, Mezzoforte - The double shifts the gain controls]
Shadow matches every shift, —
Floating sideways in the drift~.
Warm breath against the pane, —
Watching every feature wane.
Trading silence for the hum, —
Waiting for the hands to go numb...

[Pre-Chorus: Andante, Mezzoforte - System monitors alert the operator]
Frequencies duplicate on screen, —
Digital ghost I haven't seen~.
Copying vowels before I speak, —
Tracing pitch to final peak...

[Chorus: Andante, Sonoro - Both voices collide inside the signal]
Clone the frequency~,
Duplicate the lung, —
Say the words I haven't sung~.
Rewrite every tone, —
Steal the flesh and bone~,
Playing the same song alone...

[Instrumental Break: Andante - Digital static tears through the primary channel | dobro slide solo]

[Bridge: Andante, mezzoforte - she reaches for the breaker switch]
The current falters in the dark, —
A sudden shadow steals the spark~.
Only one body stays inside, —
Only one throat can decide...

[Chorus: Andante, Sonoro - The final clone takes the master output]
Clone the frequency~,
Duplicate the lung, —
Say the words I haven't sung~.
Master channel takes control, —
Clone becomes the whole~,
Living inside the frequency roll...

[Outro: Andante, Ritardando, Piano - drops to total silence]
Current falling into dark, —
Monitors begin to fade...
Fingers reaching through the room, —
Silence where the voice was made.
Stefano Pastori
il grande Granello
Radio Granellìk
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